Richard Linklater was captivated by the unfathomable story of Bernie Tiede and Marjorie Nugent laid out by Skip Hollandsworth in the January 1998 issue of TEXAS MONTHLY. What could drive the nicest man in town to murder it's richest widow, especially when it seemed that he benefited so much from their friendship? And how could a town believe so fully in the good of one man that they wanted for him to literally get away with murder?
Huntsville, the small east Texas town where Linklater grew up (and where I've lived for the past several years), was, as he described it, his "official east Texas premiere" of Bernie. I was lucky enough to be one of people packed into the sweltering Old Town Theatre for the screening and Q&A. I'm a life-long fan of Linklater's work, but I also wanted to see how a director who had been so commercially successful with movies like School of Rock and Bad News Bears would handle indie film making. The answer is that he did it comically, lovingly, and honestly.
When asked about the townspeople of Carthage being featured in the movie, Linklater said that he loved working people who weren't really professional actors, but that he wanted to show how an event could involve the whole town and truly effect each person. He shook his head and laughed as he talked about how, to this day, people would still tell their stories about Bernie in line at the local BBQ and each add their tidbit of information that they knew (but couldn't possibly know). The film's depiction of this created a winding and more than fully fleshed out image of these two interesting characters in a Stories from Lake Wobegon kind of way, where it seems like something may not be important, but by the end it's clear that without each unimportant piece of gossip, you wouldn't get the whole story.
An older gentleman sitting behind me asked why he didn't show more of the trial and Linklater talked for a while about how witnessing it was somewhere between a town picnic and a sporting event, but that he didn't want to make a trial movie. He wanted to make a movie about the dysfunctional relationship between Bernie and Marjorie and Carthage - that's where the real story was - this man who could see the good in a cold-hearted woman and a town that could see the good in a murderer. Instead of focusing on the media circus, he found the humanity in the people involved and really respected that, in a small town, everyone is involved.
The message I really came away with was his answer to a question about his expectations for the film. He shrugged and with a slacker's smile said he "didn't really have any expectations" for Bernie, or any of his movies for that matter, but he was just happy that he got to tell the story he wanted to and he had fun making the movie that he envisioned. This might just be the healthiest attitude I've seen about indie artistry. Really good art doesn't happen when you grasp at straws and worry about what people will say. It happens when you do what you love and your respect for your subject is as deep as your respect for your craft.
Bernie is playing now on a limited release basis, but you should definitely see if it's playing near you!
Huntsville, the small east Texas town where Linklater grew up (and where I've lived for the past several years), was, as he described it, his "official east Texas premiere" of Bernie. I was lucky enough to be one of people packed into the sweltering Old Town Theatre for the screening and Q&A. I'm a life-long fan of Linklater's work, but I also wanted to see how a director who had been so commercially successful with movies like School of Rock and Bad News Bears would handle indie film making. The answer is that he did it comically, lovingly, and honestly.
When asked about the townspeople of Carthage being featured in the movie, Linklater said that he loved working people who weren't really professional actors, but that he wanted to show how an event could involve the whole town and truly effect each person. He shook his head and laughed as he talked about how, to this day, people would still tell their stories about Bernie in line at the local BBQ and each add their tidbit of information that they knew (but couldn't possibly know). The film's depiction of this created a winding and more than fully fleshed out image of these two interesting characters in a Stories from Lake Wobegon kind of way, where it seems like something may not be important, but by the end it's clear that without each unimportant piece of gossip, you wouldn't get the whole story.
An older gentleman sitting behind me asked why he didn't show more of the trial and Linklater talked for a while about how witnessing it was somewhere between a town picnic and a sporting event, but that he didn't want to make a trial movie. He wanted to make a movie about the dysfunctional relationship between Bernie and Marjorie and Carthage - that's where the real story was - this man who could see the good in a cold-hearted woman and a town that could see the good in a murderer. Instead of focusing on the media circus, he found the humanity in the people involved and really respected that, in a small town, everyone is involved.
The message I really came away with was his answer to a question about his expectations for the film. He shrugged and with a slacker's smile said he "didn't really have any expectations" for Bernie, or any of his movies for that matter, but he was just happy that he got to tell the story he wanted to and he had fun making the movie that he envisioned. This might just be the healthiest attitude I've seen about indie artistry. Really good art doesn't happen when you grasp at straws and worry about what people will say. It happens when you do what you love and your respect for your subject is as deep as your respect for your craft.
Bernie is playing now on a limited release basis, but you should definitely see if it's playing near you!







